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Plastische opvoeding --- Kunst --- Studentenhuisvesting --- Kunstzinnige vorming --- Bachelor in het onderwijs : secundair onderwijs --- Plastische opvoeding --- h.o.
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Kunst --- Onderzoekend leren --- Creativiteit --- Bachelor in het onderwijs: kleuteronderwijs --- k.o.
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Kunst --- Onderzoekend leren --- Creativiteit --- Bachelor in het onderwijs: kleuteronderwijs --- k.o.
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Kunst --- Onderzoekend leren --- Creativiteit --- Wetenschap --- Bachelor in het onderwijs: kleuteronderwijs --- k.o.
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Plastische opvoeding --- Project kunstvakken --- Publieke ruimte --- Kunst --- Jongere --- Workshop --- Bachelor in het onderwijs : secundair onderwijs --- Project kunstvakken --- h.o.
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Plastische opvoeding --- Kunst --- Kunstzinnige vorming --- Beeldeducatie --- Redevoering --- Educatie --- Duurzaamheid --- Bachelor in het onderwijs : secundair onderwijs --- Plastische opvoeding --- h.o.
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Art --- masters theses --- identity --- repetition (process) --- psychology --- quotations [texts] --- Garabedian, Mekhitar --- repetition [process] --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Theses --- Beeldende kunst ; installaties ; 21ste eeuw ; M. Garabedian --- Kunst en maatschappij ; migratie ; oorlog ; diaspora --- Doctoraat in de kunsten --- Artistiek onderzoek --- Garabedian, Mekhitar °1977 (°Aleppo, Syrië) --- Kunst --- citaten [teksten] --- psychologie --- doctoraalscripties --- identiteit --- #breakthecanon --- memory --- reminiscences --- diaspora
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History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past.
History as a science --- Photography --- photography [process] --- Philosophy and psychology of culture --- anno 2000-2099 --- anno 1990-1999 --- Europe --- Art and history --- Art and revolutions --- Art et histoire --- Art et revolutions --- Documentaire fotografie --- Documentary photography --- Fotografie [Documentaire ] --- Fotografie in de geschiedschrijving --- Geschiedenis en kunst --- Geschiedenis in de kunst --- Geschiedenis in de massamedia --- Geschiedenis in de media --- Histoire dans l'art --- Histoire dans les mass media --- Histoire dans les media --- Histoire et art --- Historical painting --- Historieschilderkunst --- History and art --- History in art --- History in mass media --- History in the media --- History painting --- Installaties (Kunst) --- Installations (Art) --- Kunst en geschiedenis --- Kunst en revoluties --- Peinture d'histoire --- Photographie dans l'historiographie --- Photographie documentaire --- Photography [Documentary ] --- Photography in historiography --- Revoluties en kunst --- Revolutions and art --- Revolutions et art --- Histoire dans les médias --- Photographie en historiographie --- Art et révolutions --- Medienwissenschaft --- Kunst --- Geschichte 1989-2015 --- Europa --- Academic collection --- Art and history. --- Art and photography --- Art and photography. --- 1900-2099. --- Europe. --- Histoire dans les médias --- Art et révolutions --- Medienwissenschaft. --- Kunst. --- Europa. --- kunst --- 77.01 --- 7.01 --- 77.038/039 --- 7.038/039 --- Schmidt Dierk --- Tuymans Luc --- Ujic Andrej --- Farocki Harun --- Bartana Yael --- Kulik Zofia --- eenentwintigste eeuw --- twintigste eeuw --- kunsttheorie --- kunst en geschiedenis --- fotografie en geschiedenis --- fotografietheorie --- fotografie --- cultuurgeschiedenis --- cultuurfilosofie
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Etude sur la pratique de l'exposition en Russie avant la révolution et, en particulier, sur les rapports entre exposition et espace public dans les projets des avant-gardes historiques. ©Electre 2015
Exhibitions --- Art, Russian --- Expositions --- Art russe --- History --- Histoire --- Avant-garde (Aesthetics) / Russia / History / 20th century --- Exhibitions / Russia / History / 20th century --- Art, Russian / 20th century --- Kunstausstellung --- Kunst --- Geschichte 1900-1916 --- Russland --- Russland. --- Kunst. --- Avant-garde --- Primitivisme --- Exposition --- Utopie --- Diaghilev, Serge --- Larionov, Mikhaïl Fiodorovitch --- Malevitch, Kasimir --- Tatline, Vladimir Evgrafovitch --- Russie --- Kunstausstellung.
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65.01 --- 658.152 --- Methods and methodology. Theory and practice of organization --- Capital investment. Fixed assets. Use of funds --- Theses --- 658.152 Capital investment. Fixed assets. Use of funds --- 65.01 Methods and methodology. Theory and practice of organization --- kunst --- eenentwintigste eeuw --- Nederland --- 7.071 SEMAH --- Semah Joseph --- kunst en religie --- religie --- jodendom --- christendom --- beeldhouwkunst --- installaties --- Israël --- Irak
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